His film Raging Bull (1980) is considered to be one of the last great New Hollywood films. The films were often box-office success, and there was a high demand for them from studios and audiences alike.Ĭonsidered to be one of the more serious New Hollywood filmmakers, Martin Scorsese won serious praise with gritty 70s classics like Mean Streets (1973) and Taxi Driver (1976). Influenced by European and Asian art cinema, these films employ unique stylistic devices, prompt a discomforting response among audiences, adopt irresolute or downbeat endings, and feature marginalized, detestable, and alienated protagonists. The film introduced mainstream American audiences to frank depictions of sex and violence, all the while destabilizing conventional film narratives.īonnie and Clyde-and other late 60s counterculture favorites like The Graduate (1967) and Easy Rider (1969)-paved the way for the more idiosyncratic films of the 70s: Dog Day Afternoon (1975), Chinatown (1974), and The Last Picture Show (1971), among others. ![]() The film stars Warren Beatty (also the film’s producer) and Faye Dunaway as the titular bank-robbing lovers. This “New Hollywood” period, spanning from the late 60s to the early 80s, revived American cinema, satisfied and challenged audiences, and became a profitable business.įilm scholars often cite Arthur Penn’s Bonnie and Clyde (1967) as the first New Hollywood movie. ![]() These auteurs, often known as “movie brats,” controlled all creative components of production, resulting in daring, mature, and personal films. ![]() During this time, America was undergoing massive cultural upheaval-between counterculture, women’s liberation, generational tensions, the civil rights movement, and the country’s participation in the Vietnam War, people craved films that reflected the current cultural moment, and old-guard Hollywood looked stale and out-of-touch.Īlong came a young crop of filmmakers- Martin Scorsese, Francis Ford Coppola, Arthur Penn, Robert Altman, John Cassavetes-who subverted classical Hollywood cinema and challenged audiences. Conservative and detached studio-controlled films were conspicuously failing to connect with audiences by the end of the turbulent 1960s. In the 1960s, kitschy, dull, and stale films dominated Hollywood.
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